Bringing archives back to life. Old material, restored, coloured, and reanimated into cinematic new form.
Ten formats for the archive — restored, remastered, coloured, and reanimated.
Damaged, faded, or low-resolution stills brought back with the eye of a colourist. Family archives, brand heritage, historical libraries.
Paper, film, and print restored for exhibition, publication, and legal-grade archiving. Detail recovered without inventing what wasn’t there.
Scratches, grain, compression, warping — removed. Content recovered at the highest fidelity the source material can honestly support.
Period-accurate colourisation informed by material history and light research. Restraint over saturation — the past coloured, not recoloured.
16mm, 8mm, Betacam, VHS — uprezzed with modern techniques while preserving the grain and gauge that make the original what it was.
Photographs animated into cinematic short movement. Family portraits, historical stills, brand archives — given a first breath of motion.
A library of stills reassembled as narrative cinema — pacing, colour, sound, and voice woven around the material to make a real film.
Personal archives — weddings, births, letters, homes — restored, coloured, and gently animated into an heirloom-grade family film.
Reanimation of archival material for documentary, museum, and educational use. Historically grounded, cinematically alive.
Modern colour science on old and new material alike. Restoration-grade regrades, look-locking, and shot-to-shot colour discipline across a full project.
Tell me about the product, the launch, and the audience. Within seven days, I'll return a real directed concept — angle, tone, structure, key frames, and a written director's statement. Not a template. Not a sales deck. A concept I would ship.
Five more categories in the spectrum.